Articles featured in the right column
The conversation won’t be easy. But listen to the spirits there in the music and they’ll tell you a deeper tale. They’ll tell you that in that vast desert which outsiders are content to call a wasteland, good for nothing except for the oil, phosphates and uranium that lie under its soil, there exists...
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When the record producer Nick Gold traveled to Cuba in the early 1990s and fell in love with a cassette by the late great Ñico Saquito, the Afro Cuban story was already old, very old. Gold, who was already infatuated with Malian music, had the genius to perceive and appreciate the well-spring of...
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“Africa needs to speak out right now,” says Ousco calmly over a crackling phone line from Bamako. “Africa must stop crying.” His words are a neat little summary of what African rap is all about: No mincing words or metaphors. No ancient musical traditions that cosy up to power. No decadent ghetto fabulous fantasies....
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It’s this gentle yet luminous spirituality that makes Cheikh Lo’s music so unique, injecting its boundary-busting mix of Cuban, Congolese, Senegalese mbalax and international pop flavours with a tender fire that banishes sentimentality or the empty pop formula. Lo is now 50 years old and philosophical about the time it’s taken him to...
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“As far as I’m concerned, it’s Tinariwen who created the path,” declares Ousmane Ag Mossa, frizzy-locked leader of Tamikrest, in a pre-emptive strike against a thousand inevitable questions. “But the way I see it, if younger bands don’t come through, then Touareg music will eventually die. They created the path and now it’s...
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Son of the great Sidiki Diabate, the father of the modern kora, Toumani is 71st in a direct line of griots that stretches back to the reign of the great medieval Emperor Sudjata Keita.
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A national treasure, who has always taken the trouble to stay out of big ‘P’ politics, Khaled has no problem flirting with power. He’s a good friend of the current Algerian president Abdelaziz Bouteflika, and defends his friend’s decision to play loose with the constitution and seek a third term.
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I first heard about the Festival in the Desert from Philippe Brix, the lean and indefatigable manager of the French global troubadours, Lo’Jo. Two years ago, on his return from one of Lo’Jo’s regular trips to Bamako, the capital of Mali, Philippe told me that the group had minted a solid and...
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Like Bob Marley or Fela Kuti, he has achieved that rare status of untouchability, where his fame is such that no politician would dare eliminate him for fear of the popular protest such a move might unleash.
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Taha has long been recognised as a perceptive thinker and a courageous mental guerrillero, but what is really astounding is that he has always been fighting a war on two fronts. His stand against the racism and bigotry of his adoptive France, so neatly expressed in anthems like ‘Voilà Voilà’, or the...
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