Category: MNLA

After Gao: how important are mixed patrols to Mali’s future?

With the world’s media riveted to events in Washington, the West African nation of Mali might be forgiven for feeling a little abandoned in one of its darkest hours since independence. Last Tuesday January 17th at 9am a young jihadist by the name of Abdel Hadi al Foulani drove a pickup truck into a military…

SEYDOU CISSÉ of GANDA IZO – “We should have followed the MNLA from the start”

Here’s an amazing news story: http://maliactu.net/mediation-dans-la-crise-malienne-nous-preferons-ouaga-a-alger-dixit-moussa-ag-attaher/ On February 9th last, the MNLA and the Ganda Izo held a joint press conference in Ouagadougou and issued a joint statement announcing a future collaboration between the two movements. The two groups also expressed strong support for Burkina Faso’s mediation in northern Mali and denounced any attempts by…

Does the Touareg question have an answer?

Touareg boy watching Camel Race, Tin Essako, Jan 2001

A few years ago, on a beautifully calm Saharan evening, I was drinking tea with an old Touareg musician in a garden near Tessalit in the far north east of Mali, a place that has recently been in the news for all the wrong reasons. The musician’s work was gaining popularity throughout Europe and North…

The Ouagadougou Accords – Peace in our time?

An accord between the government of Mali and groups representing the Touareg-led rebellion in the north, primarily the MNLA and HCUA, was signed two days ago in Ougadougou at end of several weeks of intense negotiation. Le Monde has a concise and fairly comprehensive report on this possibly historic event. So is this peace in our time?

NEW BOOK – Music, Culture & Conflict in Mali

My new book MUSIC, CULTURE & CONFLICT IN MALI takes an in-depth look at the crisis that overtook Mali in January 2012 and lead to a ten-month occupation of the northern two-thirds of the country by armed jihadi groups. The book examines the roots of those tumultuous events and their ef- fect on the music and culture of the country. There are chapters on music under occupation in the north, the music scene in Bamako, the destruction of mausoleums in the north, the fate of Mali’s precious manuscripts, Mali’s film and theatre industries and the response to the crisis from writers, poets, journalists, intellectuals and film-makers.