Three generations of poets guitarists sing of their hopes for the Sahara at the Taragalte Festival 2016 in Morocco
With the world’s media riveted to events in Washington, the West African nation of Mali might be forgiven for feeling a little abandoned in one of its darkest hours since independence. Last Tuesday January 17th at 9am a young jihadist by the name of Abdel Hadi al Foulani drove a pickup truck into a military…
Anyone who walks out onto any stage – in Paris, or London, or Madrid, Melbourne, Mumbai and Osaka – is now in the front line of a battle. Music itself is on the front line. Take courage. We’ve got to win. The alternative is too bleak to contemplate: a life without joy, relief, togetherness. A life without music.
If the master plan succeeds, Mbongwana Star could become the Trojan Horse that penetrates the bastion of the world’s indifference (and revulsion and paranoia) and lifts the curse to bring that creative power out of rue Kato, the Beaux Arts, and other parts of Kinshasa. “The Beaux Arts is like a town within a town,” says Renaud. “Mbongwana Star has started rehearsing there and there’s a correlation with visual artists, stylists, people working on logos etc. It’s this kind of electric movement, this new vibe in Kinshasa that we’re trying to mix in with the music and the image.”
My 2014 photoshoot of Songhoy Blues in the Laffiabougou district of the Malian capital, Bamako, which yielding the cover shot of their hit debut ‘Music in Exile’.