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ETRAN FINATAWA – The nomad alliance of Niger

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March 10, 2011
Etran Finatawa

The word ‘nomad’ might make us dream about freedom, but in the southern Sahara it actually describes a man locked in a pitiless and epic struggle against drought, locusts and oblivion. The scrubland of the Azawak, an immense and table-flat plain in the northwestern corner of Niger, is home to two nomadic peoples,...
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SOCKLO – The genius guitar maker of Kinshasa

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January 30, 2011
Socklo - genuis guitar maker of Kinshasa

Once a guitarist himself, Socklo now makes about 2 to 3 instruments per week, with the help of a couple assistants, in a clapboard shed in the Lembas district of this enormous teeming city. Tools are rudimentary; no workbench, no electric jigsaws, drills or shape cutters, just a heap of hammers, chisels,...
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The Rough Guide to the Music of the Sahara

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January 27, 2011
Rough Guide to the Music of the Sahara

In terms of music and culture, the Sahara is like an inland sea, where the sounds, tastes and colours of peripheral ‘port’ cities like Marrakesh, Sijilmassa, Timbuktu, Agadez, Ghardaia, In Salah, Ghat, Ghadames, Tunis, Tripoli, Siwa, Cairo, Walata, Chinguetti, Djenné and Kano have mingled for centuries.
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CHEIKH LO – Senegalese soul of many colours

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January 24, 2011
Cheikh Lo - The soul man of Senegalese Baye Fall

It’s this gentle yet luminous spirituality that makes Cheikh Lo’s music so unique, injecting its boundary-busting mix of Cuban, Congolese, Senegalese mbalax and international pop flavours with a tender fire that banishes sentimentality or the empty pop formula. Lo is now 50 years old and philosophical about the time it’s taken him to...
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OMAR SOULEYMAN – Love him or hate him

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January 10, 2011
Omar Souleyman

Tweet Look at Omar in his sheer white body-length jellabiya and gingham keffiya, with his Arab hitman shades and AoE tache, looking like a flesh and blood version of Sheik Yerbouti’s Yahoo Avatar; Omar the hillbilly from Hicksville, Syria, who sings with a voice like a chainsaw and has taken old music and mashed...
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FESTIVAL IN THE DESERT #2 – Hope through music

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January 10, 2011
Festival Security in 2003.  (c) Kate Morgan.

That’s why the Festivals in the Desert are so important. They give a region previously ravaged by conflict and insecurity the chance to show a peaceful face to the world. They give the chance for the Touareg to prove that far from being bandits, they are a simply another African people...
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RACHID TAHA – The Last Punk?

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January 7, 2011
Damon Albarn and Rachid Taha, Africa Express Paris 2009

But where exactly is Rachid Taha today? With the success of ‘Voilà Voilà’, ‘Ya Rayah’, and his participation alongside fellow Khaled and Faudel in the epic ‘1-2-3 Soleil’ concert at the Bercy stadium in Paris, which yielded a million-selling live album, Rachid was definitely a big star in France in the 1990s....
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SOUAD MASSI – Algerian, Arab, Woman

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January 7, 2011
Souad Massi. (c) Carole Bellaîche

Arab. Algerian. Berber. Woman. Muslim. Poet. Musician. That’s quite a well-dosed cocktail for any fragile sensibility. But the darkly delicate beauty of those Mediterranean features and the tender fire of her music mask a vein of solid steel that underpins Souad Massi’s character. It’s...
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INESS MEZEL – Beyond trance, beyond identity

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January 7, 2011
Iness Mezel

Tweet It was one of those perfect moments, when passion burns up the concept, and Iness Mezel’s words begin to canter excitedly as she remembers it: “You arrive at the studio with all your baggage and paraphernalia and you lay them out and something just happens, beyond all expectations. Beyond trance. Beyond consciousness. And...
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TINARIWEN #2 – La dolce vita, desert style

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January 6, 2011
Bush jam with Intidao.  (c) Thomas Dorn 2007

In that same moment of dream-like calm, not more than two hundred kilometres away on the road from Kidal to Tin Zaouatene, an insignificant distance in desert terms, a Malian army column was fighting for survival against the firepower of the Alliance Touareg Nord-Mali pour le Changement (ATNMC), a splinter rebel movement led by...
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